Chen Ke launched her career in Beijing after obtaining a BA from the Oil Painting Department of Sichuan Academy of Fine Arts in 2002 and an MFA in 2005 from the same faculty. Chen is among the generation witnessing the rapid development of China. Traditional Chinese culture and Western culture have intertwined throughout her growth and career.
 
In Chen’s early works, a fragile little girl was often depicted in a surrealistic background, struggling with a reversed reality, or wallowing in nostalgia in a lonely and innocent manner. Since 2012, Chen began to use the real figures in her photographic works as the object of description. From Frida to Monroe, she expressed her feelings in real life through the interpretation of these characters, especially the situation of women in society. And the experience of time and life.
 
2018, Chen set out on a new series, attempting to deal with the genuine feelings she has about her father. In these paintings, she managed to approach her personal experience and understanding of life in a more straightforward method. Through a series of mixed media paintings and installations inspired by the daily talk with the artist’s father, Chen discussed about youth, characteristic, family and aging in her solo exhibition “The Real Deal is Talking with Dad” at Yuz Museum (Shanghai, China).
 
2020, Chen debuts the series of Bauhaus Gal. These portraits are based on the zeitgeist-charged archive photos of the Bauhaus. Chen prefers the classical conventions when delineating the faces of these pioneering young women of modern times. Immersed in their own world and in deep thought, they are completely oblivious of the gazes from the outside. While transforming into painting, these archive images undergo “physical implants” so that the painter can relive certain moments in life and recollect involuntary memories such as smell, light and touch, thereby reviving those black and white figures in these historical records. Her awareness of medium from years of painting practice helps her to establish a link between the ancient spirit and contemporary sentiments.
 
Chen Ke plots her art inside her own script, involving the medium of painting in the mutual generation of experiences and memories to endeavor an open-ended development.